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Post Tag Madhubala

Sunday, January 8th, 2012 by

Shammi Kapoor on Madhubala

Shammi Kapoor was a tall, lanky, thin young man (“I had no shadow”), twenty-one-year-old and on the threshold of a career in films. A stint in the theatre had given him confidence, even a slightly superior attitude to “these film people”. He was at ease working with big directors like …

. . Memories

Thursday, August 4th, 2011 by

Inter-changing playback singers on same person in the same song

Using multiple playback singers for same person in the same film was a common practice in Hindi films. For example, in Tamasha (1952) Meena Kumari got playback from Geeta Dutt, Asha Bhosle and Lata Mangeshkar. I can understand the reasons behind that practice.  Perhaps producers wanted to include as many …

. . . . . . Discussed

Monday, July 18th, 2011 by

Jaane waale se mulaqat – Amar (1954) – Song which moved Madhubala to tears

Naushad recalls that Jaane waale se mulaqat na hone paayi from Amar (1954) had a special place in Madhubala’s heart. In fact, when it was first played on the sets, Madhubala burst into tears, which moved everyone else present.

. . Discussed

Monday, May 30th, 2011 by

Dilip Kumar on Madhubala’s Beauty

Madhubala’s beauty was so overpowering that in paying homage to it, people have missed out on a lot of her other attributes, of course, she was beautiful, though I don’t think hers was a perfectly chiselled face. She had a slightly accentuated nose. Though it didn’t take away from the …

. . Memories

Friday, March 25th, 2011 by

Shyama’s Co-Stars – Madhubala

[Back to Shyama's Menu] She was extremely beautiful. I met her for the first time during Tarana. She was good in her work. She was in love with Dilip saab (Kumar). We thought they would get married. But things didn’t work out. Her father Attaullah Khan was very strict. She …

. . Memories

Friday, December 31st, 2010 by

Kala Pani (1958)

A crime movie about institutionalized corruption. Hero Karan (Anand) discovers that his father, believed dead, is in fact in jail for a murder he did not commit. Karan sets out to prove his father’s innocence with the help of a fearless journalist, Asha (Madhubala). The villain is the corrupt public …

. . . . . . . . . . . . Crime

Sunday, November 21st, 2010 by

Mahal (1949)

Bombay Talkies Mahal is a story of ghosts, spooks, apparitions, jitters, quivers, bats and snakes. It succeeds in giving one the creeps, but through more causes than one. In the initial stage the spine tingling chill of weird horror which slowly creeps down one’s back is because of the masterly …

. . . . . . . . . Mystery . Thriller

Monday, September 6th, 2010 by

Anarkali – Fact or Fiction ?

It is now believed that Anarkali was in her forties or older when she was suspected of having an affair with the heir apparent, Prince Salim, who was then in the thirtieth year of his life and father to at least three sons from numerous wives. Salim’s father, the otherwise …

. . . . . . Miscellaneous

Monday, September 6th, 2010 by

Historical inaccuracies in Indian – Pakistani Films

Historical Inaccuracy – 1 In this song Anarkali (Madhubala) is performing in front of  Mughal Emperor Akbar with the famous Sheesh Mahal shown (The Palace of Mirrors) in the background. However, it should be kept in mind that Sheesh Mahal didn’t even exist during Akbar’s reign (23 November 1542  – …

. . . . . . . . . . Discussions

Saturday, May 29th, 2010 by

Madhubala

When Mumtaz Ataullah Khan became famous as the celebrated Madhubala, a shower of superlatives constantly swirled down upon her — the Venus of the Indian screen, its definitive love goddess, the most beautiful heroine ever! She had that perfect blend of beauty and sensuality that worked on the audience like …

. Actors & Actresses

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