Mohammad Rafi – Naushad Collaboration
Naushad on Mohammad Rafi
Speaking about Rafi Saab’s singing qualities, I have always been of the opinion that he was very sentimental and worked extra hard at songs which were raga based and melodious. Though people call him versatile, which he was in many senses of the term, I feel he was not happy singing cacophonic songs. This was because there are two distinct types of singing: one from the throat and another from the heart. Rafi used to sing melodious songs from the heart but this heart was never there in the other types of songs.
Rafi use to falter slightly in lower tones. If he was asked to sing in low tones, his voice used to become loose but in the high tones his voice was just like an arrow.
He loved to rehearse his songs. At times he would rehearse as long as five days before turning up for recording. He used to let the song sink completely in his psyche. But if the music director or lyricist wanted to change a word here and there then Rafi would need an hour to adjust as he had already taped the songs in his mind.
Rafi started to sing for me immediately when he came to Mumbai. Since he hailed from Punjab, his Urdu accents were not clean and clear. As such, I had to explain to him first to make his Urdu diction suitable for songs. He was so studious, intelligent and painstaking person that he grasped the required tonal accents in a short time. While grooming him I realised that he had tremendous range but he was singing initially in the low tone since K. L. Saigal was his ideal. I recorded some of his songs in low tone itself in films like “Anmol Ghadi”, “Mela”, “Dillagi”, “Jadoo”, etc. but slowly I started using his voice in higher pitch in films like “Deedar” and “Aan”. However till “Baiju Bawra” even I never had the opportunity to make full use of it. It was from “Baiju Bawra” that people realized the tremendous potential of his range.
Rafi Saab’s greatest asset was that even after scaling highest notes he would stay at the peak without shaking his voice and used to remain firm at it. But again, if he didn’t like the tune he would falter and take a longer time to record it. But if the tune was to his liking, one could get a perfect take in the first round.
As a person he was one of the finest persons I have known. I had a very long association with him. He was very modest. He had a perfect sense of time. He never came late for any song recording and used to meet people around always with a smiling face.
The last song he recorded for me was a gazal in a film called “Habba Khatoon”. He was so enamored with the lines and the tune that immediately after recording it he came to me and enveloped me in his arms and said, “After a very long time, I got the opportunity to sing such a beautiful song. Otherwise I had to make sounds of cats and dogs in my recent songs”. He was so happy with my song that he even did not accept payment for the song. Such a great person he was!
Mohammad Rafi – Naushad Song List
| Song | Film | Year | Co-Singers |
| Hindustan Ke Ham Hai Hindustan Hamaara | Pehele Aap | 1944 | |
| Tera Khilona Toota Balak | Anmol Ghadi | 1946 | |
| Mera Sapnon Ki Rani | Shahjehan | 1946 | K.L. Saigal |
| Yeh Zindagi Ke Mele | Mela | 1948 | |
| Yun Tho Aapas Mein Bigad Teh Hein | Andaz | 1949 | Lata Mangeshkar |
| Chheen Ke Dil Kyon Fer Lee | Chandni Raat | 1949 | |
| Dil Ho Unhe Mubaarak Jo | Chandni Raat | 1949 | |
| Khabar Kyaa Thee Kee Gham | Chandni Raat | 1949 | Shamshad Begum |
| Nigahen Ruk Gayeen..Kaise Baaje | Chandni Raat | 1949 | Shamshad Begum |
| Is Duniya Mein Ay Dil Walon | Dillagi | 1949 | |
| Tere Kooche Mein Armaano Ki | Dillagi | 1949 | |
| Mil Mil Ke Gaayenge O Do Dil | Dulari | 1949 | Lata Mangeshkar |
| Raat Rangili Mast Nazaare Geet | Dulari | 1949 | Lata Mangeshkar |
| Suhani Raat Dhal Chuki | Dulari | 1949 | |
| Dil Dhadak Dhadak Dil Fadak Fadak | Daastan | 1950 | Suraiya |
| Dil Ko Tere Tasveer Se | Daastan | 1950 | Suraiya |
| Tara Ri Tara Ri Yaara Ri Yeh Sawan | Daastan | 1950 | Suraiya |
| Asir Re..Huve Ham Jinke Liye Barabaad | Deedar | 1951 | |
| Dekh Liya Maine | Deedar | 1951 | |
| Ho Bachpan Ke Din Bhula Na Dena | Deedar | 1951 | Solo (Film Soundtrack Version) |
| Meri Kahani Bhoolane Wale | Deedar | 1951 | |
| Ho Bachpan Ke Din Bhula Na Dena | Deedar | 1951 | Shamshad Begum (rare version) |
| Nasib Dar Pe Tere Aazamaane | Deedar | 1951 | |
| Ab Raat Milan Ki | Jaadu | 1951 | |
| Lelo Lelo Do Phool | Jaadu | 1951 | Zohra Bai, Shamshad Begum |
| Pyaar Ke Saagar Se Nikali.. Ik Jhoot Hai Jiska | Jaadu | 1951 | |
| Takra Gaya Tum Se Dil | Aan | 1952 | |
| Dil Mein Chupake | Aan | 1952 | |
| Ek Tho Sundar Mukhda…Mohobbat Chumme Jinke Haath | Aan | 1952 | Shamshad Begum |
| Gao Tarane Man Ke | Aan | 1952 | |
| Maan Mera Ahesan | Aan | 1952 | |
| Door Koi Gaaye Dhun | Baiju Bawara | 1952 | Lata Mangeshkar, Shamshad Begum |
| Insaan Bano Karlo | Baiju Bawara | 1952 | |
| Jhoole Mein Pawan Ke Aayi | Baiju Bawara | 1952 | Lata Mangeshkar |
| Mana Tarapata Hari Darashana | Baiju Bawara | 1952 | |
| O Duniya Ke Rakhwale | Baiju Bawara | 1952 | |
| O Ji Ho | Baiju Bawara | 1952 | |
| Om | Baiju Bawara | 1952 | |
| Raagon Ka Raag | Baiju Bawara | 1952 | |
| Tu Ganga Ki Mouj Mein | Baiju Bawara | 1952 | |
| Tasveer Banata Hoon | Deewana | 1952 | |
| Insaaf Kaa Mandir Hai Yeh | Amar | 1954 | |
| Aaye Na Balam Vaada Kar Ke | Shabab | 1954 | |
| Man Ki Been Matawari | Shabab | 1954 | |
| Marna Teri Gali Mein | Shabab | 1954 | |
| Mehelon Mein Rehne Wale | Shabab | 1954 | Mubarak Begum |
| Yehi Armaan Lekar | Shabab | 1954 | |
| Chale Aaj Tum Jahan Se- O Door Ke Musaphir | Uran Khatola | 1955 | |
| Mohobbat Ki Raahon Mein | Uran Khatola | 1955 | |
| Sambhal Kar- Na Toofan Se Khelo | Uran Khatola | 1955 | |
| Dukh Bhar Din Bite | Mother India | 1957 | |
| Matwala Jiya Dole Piya | Mother India | 1957 | |
| Na Mein Bhagwaan Hoon | Mother India | 1957 | |
| O Ghadi Wale Ghadi Dheere Haank Re | Mother India | 1957 | Shamshad Begum |
| Aane Wale Ko Aana Hoga | Sohni Mahiwal | 1958 | |
| Ay Meri Zindagi-Aaj Galiyon Mein Tere | Sohni Mahiwal | 1958 | |
| Duniya Hai Isi Kaa Naam | Sohni Mahiwal | 1958 | |
| Eid Ke Din Sab – Eid Ka Din Tere | Sohni Mahiwal | 1958 | |
| Teri Mehefil Tera Jalwa | Sohni Mahiwal | 1958 | |
| Dhal Chuki Shaam-e-gam | Kohinoor | 1960 | |
| Dil Ka Afsana Sunate Hein | Kohinoor | 1960 | |
| Do Sitaron Ka Zamin | Kohinoor | 1960 | Lata Mangeshkar |
| Koyi Pyaar Ki Dekhe Jaadugari | Kohinoor | 1960 | |
| Madhuban Mein Radhika Nache Re | Kohinoor | 1960 | |
| Tan Rangaloji Aaj Man Rangalo | Kohinoor | 1960 | |
| Zara Man Ki Kivadiya | Kohinoor | 1960 | |
| Aye Mohobbat Zindabaad | Mughal-E-Azam | 1960 | |
| Bailan Ki Jodiya | Ganga Jamuna | 1961 | |
| Nainlad Jaihen | Ganga Jamuna | 1961 | |
| Oh Chhalia Re Chhalia | Ganga Jamuna | 1961 | |
| Lut Gaya Mere Sapnon Ka Dera | Pyar Ki Daastaan | 1961 | |
| Dil Thodne Wale | Son Of India | 1962 | |
| Zindagi Aaj Mere Naam Se | Son Of India | 1962 | |
| Aaj Purkat…Tumse Izhaar-e-haal Kar | Mere Mehboob | 1963 | |
| Aye Husn Zara Jaag | Mere Mehboob | 1963 | |
| Mere Meheboob Tujeh | Mere Mehboob | 1963 | |
| Yaad Mein Teri | Mere Mehboob | 1963 | |
| Aaj Hai Pyar Ka Faisala | Leader | 1964 | |
| Aaj Kal Shauq-e-deedar Hai | Leader | 1964 | |
| Apni Azaadi Ko Ham Hargiz | Leader | 1964 | |
| Ek Shehenshah Ne | Leader | 1964 | |
| Hamin Se Mohobbat | Leader | 1964 | |
| Mujeh Duniyawalon | Leader | 1964 | |
| Tere Husn Ki Kya | Leader | 1964 | |
| Guzaren Hein Aaj Ishq | Dil Diya Dard Liya | 1966 | |
| Koyi Sagar Dil Ko | Dil Diya Dard Liya | 1966 | |
| Dil-e-Betaab Ko Sine Se | Palki | 1966 | |
| Kal Raat Zindagi Se | Palki | 1966 | |
| Aaa… Pyar Ki Raah Bahaar | Saaz Aur Awaaz | 1966 | |
| Aaa Ji.. Kisne Mujeh Sadaa | Saaz Aur Awaaz | 1966 | |
| Dil Ki Mehefil Saji Hai | Saaz Aur Awaaz | 1966 | |
| Saaz Ho Tum Aawaaz Hun Mein | Saaz Aur Awaaz | 1966 | |
| Tum Ishq Ki Mehefil Ho | Saaz Aur Awaaz | 1966 | |
| Mein Hoon Saakhi Tu | Ram Aur Sham | 1967 | |
| Yeh Raat…Aaj Ki Raat Mere | Ram Aur Sham | 1967 | |
| Kaise Haseen Aaz | Aadmi | 1968 | |
| Aaj Purani Raahon Se | Aadmi | 1968 | |
| Main Toote Huyi Ek Naiya | Aadmi | 1968 | |
| Teri Mohabbat Pe Shaque | Aadmi | 1968 | |
| Ishq Deewana Husn Bhi | Sangharsh | 1968 | |
| Mere Pairon Mein Ghungroo | Sangharsh | 1968 | |
| Duniya Hase Hasti Rahe..Mein Hoon | Ganwaar | 1970 | |
| Hamse Tho Aachi Teri Payal | Ganwaar | 1970 | |
| Idhar Sharaab Kaa…Pee Kar Sharaab | Ganwaar | 1970 | |
| Meheka Meheka -Tumhara Naam Kya Hai | Ganwaar | 1970 | |
| Tera Chikna Roop Hai | Ganwaar | 1970 | |
| Aisa Phanda Maare | Tangewala | 1972 | |
| Do Diwane Aaye Dekh Tamasha | Tangewala | 1972 | |
| Thap Tup Tip | Tangewala | 1972 | |
| Jane Kya Hojaaye | Aaina | 1974 | |
| Naiya Meri Chalti Jaaye Saharey Tere Badhthi Jaaye | My Friend | 1974 | |
| Dil Ke Bazaar Mein | Dharam Kanta | 1982 | |
| Duniya Choote Yaar Na Choote | Dharam Kanta | 1982 | |
| Tera Naam Liya Dil | Dharam Kanta | 1982 | |
| Yeh Ghotedaar Lehenga | Dharam Kanta | 1982 | |
| Aasalaam Jaanetamana Alvida | Love and God | 1986 | |
| Allah Allah Phoolon Mein Tho | Love and God | 1986 | |
| Mein Baita Hun Raahon Mein | Love and God | 1986 | |
| Rahega Jahan Mein Tera Naam | Love and God | 1986 | |
| Yeh Naadanon Ki Duniya Hein | Love and God | 1986 | |
| Jis Raat Ke Khwaab Aaye | Habba Khaatoon | Unreleased | |
| Aae Mere Laadlo | Non-Filmi | ||
| Beete Dinon Ki Yaad | Non-Filmi | ||
| Mohobbat Khuda Hai | Non-Filmi |


Pyar Ki Daastaan 1961
Music director is not naushad;
His name is “Shaukat Dehlvi Nashad”
He credited under the names Nashad or Shaukat Haidari and then migrated to Pakistan in 1964- hit songs of Baradari