Real Name – Bela Pramanik
Profession – Actress
Active Years – 1950s
Nationality – Indian
Religion – Hindu
Date of Birth –
Date of Death –
Debut Film –
Last Film –
Significant others in the Film Industry –
Her first film role, in Kidar Sharma’s “Shokhiyan,” was left on the cutting room-room floor, but twenty-one-ear-old Bela Pramanik has a quality which is indispensable to one aspiring to be a film star: Courage.
Bela, at first terribly disappointed, went back to her native Nagpur “to survey the situation.” Then with fresh hope and determination, she returned here and tried to find another role. But she failed to do so, and took a job as stenographer in a newspaper office. It was then that she secured a small role in “Hukumat” and “Bazooband”.
Aware of the temporary nature of this new-found success, she continued working as a stenographer and fulfilled her film assignments at night “shooting”.
Dreamy-eyed pleasant faced Bela believes she has found her vocation in film work, and with more roles given to her (in “Sheshavtar,” “Vaikunth” and “Sultana Daku”) she is determined to make good in the film industry. Bela, who gave up a luxurious life ion Nagpur to try her luck in films, will not now go back to office routine which she finds drab and unexciting.
Bela is quite a linguist. She knows Bengali, Hindi, Urdu, English, Gujarati and Marathi., and loves to read the works of Tagore and Sarat Chandra. She used to be a permanent artist at All-India Radio, in Nagpur, and took part in the dramas broadcast over the air. (This interview was conducted in January 1955, contributed by Sudarshan Talwar).
Filmographies might not be 100% accurate or complete because of various reasons including artistes with similar names
|Bazooband||1954||India||Variety Production||Ramanand Sagar|
|Hakumat||1954||India||Cine Art Pictures||Raja Yagnik|
|Lakeeren||1954||India||Sushil Pictures||Harbans Singh|
|Sultana Daku||1956||India||R. D. Films||Mohan Sinha|